Page 193 - ATHENS RIVIERA JOURNAL 2022
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ATHENS RIVIERA JOURNAL
 gourmet getaway






 "THE FOOD IS MAINLY BASED ON
 LOCAL PRODUCTS AND IDEAS FROM

 THE SLOVENIAN CULINARY TRADITION,

 UTILIZED WITH IMAGINATION."







 the evolution of epicurean tradition
 When I ask her what creativity is, she underscores this: “Creating an exhilarating
 dish starting with a mundane, maybe boring, ingredient. Very often, I see in
 my dreams the creation of new flavors and, once I wake up, I go to the kitchen
 and try them out. Also, when I go running, I think about new recipes and
 shout out ‘Eureka!’ It is impressive how out there in nature, its sounds, colors,
 smells stimulate the mind and make it create continuously.” Do you want
 more wonderful dishes like the previous one? It might sound completely odd, a
 croquette fried with clockwork precision, filled with a delectable cream of lamb
 brains, sour forest fruits and... chocolate, but I will confirm that it constitutes
 liquid gold, with fascinating flavor contrasts. Or even one of the most beautiful
 combinations of surf and turf I have tasted, in the form of dry aged mountain
 veal and wonderful sole fish along with a delicately garlicy pil-pil lotion – all
 accompanied for freshness by tomato water spheres, unripe green tomato and
 a foam from risotto of tomato and spicy habanero pepper. The dish that was
 named (r)Evolution of Kobariški Štruklji was a spectacular representation of the
 level of postmodernism in flavor which reigns supreme at Hiša Franko. They have
 adapted this traditional walnut-filled dessert from Kobarid, transforming it into a
 singular, ethereal dumpling (reminiscent of steamed Chinese masterpieces) that,
 filled with pork, apple and walnuts, gravitates between sweet and savory; next
 to it they had placed a completely expressionistic, original, sweet and savory and
 piquant crème brulee made with smoked pork, horseradish and sun-dried plums!

 the lesson of sustainability
 I ask the chef to describe her gastronomic style. “It is almost excessively connected
 to the soil and my country, and very personal. I would not call it feminine, because
 I know many male chefs who cook with a lot of sensitivity. I have always liked
 strong flavors, but I look for balance. I want my cuisine to tell a story, not by pre-
 imposing it on people but by letting flavor speak. The fact that we are confined to
 this little corner on Earth gives us great freedom at the same time.” With fashions
 and trends now proliferating at lightning speed on the globalized culinary scene,
 I asked her how she foresees the future of flavor. “Many chefs I appreciate around
 the world do deep research into their tradition. We cannot all be Scandinavian
 just because it is trendy... The motto is ‘ask your mother and your neighbors
 about traditional recipes.’ Today, we move ever-closer to personal expression, to
 progressing tradition, to local and seasonal raw ingredients and this is an answer
 to gastronomical homogenization, which is now a big problem. Many see chefs
 as rock stars, and we ought to make use of this immense prominence we have.
 In order to set an example and influence those who trust us, it is important to
 eat local and sustainable as much as possible in our daily life. To do everything
 we can not to destroy the planet. In fifteen years, we will have a huge hunger
 problem, so we should be very careful not to thoughtlessly waste food. For this
 reason, we should make the most of foraging in nature, of vegetable patches and
 gardens, and support small producers and farmers.”   Ana’s epicurean style is
              linked to the soil, and
              embodies the seasons
             with an almost Japanese
 192              sensibility.                                                 193
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