Page 140 - ATHENS RIVIERA JOURNAL 2024
P. 140
ATHENS RIVIERA JOURNAL
architecture
functional spaces with high aesthetic appeal, either through
design or decoration. Each result should suit the client’s style
and convey their personality as well as my own. But what’s
most important is that every project evokes emotion. This in
itself is the greatest challenge for me. At the same time, seeing ALWAYS LIVE IN STYLE
each project completed is immensely rewarding. Among her unique projects, a Skiathos house that combines
Do you have favourite décor items that immediately stand elegant interior design with natural touches, the inspiring Enny
out when you visit a private residence? Monaco boutique on Kriezotou Street, Athens, and an office
space at Richards Hogg Lindley in London.
I’d say that the decorations I notice and that always draw my
gaze when visiting a house for the first time are the wallpa-
pers, artworks, carpets, and indoor plants, of course. I think
they add a touch of warmth and act as finishing touches that
complete the décor.
Could you describe the ideal house on the Athenian Rivi-
era? What would its aesthetics entail?
As a fan of 1950s-70s architecture with Brazilian influences,
and because I believe that buildings must harmonize with
their surrounding landscapes, the perfect home would be
airy with big openings to the outdoors, blending the interior
with nature.
Is there a particular project meant to shape the Athenian
Riviera’s new image that you are eager to see realised and
that has already impressed you with its design?
Different projects for the Athenian Riviera have stood out
to me. One is the Ellinikon Experience Park. There’s also the
Astir Marina, as well as the urban renewal of the Ellinikon.
Let us in on your favourite spot on the beachfront from
Piraeus to Sounion.
My favourite spot on the beachfront is the Faros condomini-
um at Kavouri, where we stay every summer, right next to the
sea. It feels like you’re in a small paradise somewhere far from
Athens, but you’re actually a few kilometres from its centre.
"WHAT’S MOST IMPORTANT IS THAT EVERY PROJECT EVOKES EMOTION."
140 141