Page 37 - MYCONIAN COLLECTION MAG 2019
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                   WHEN AcclAIMED BrITISH sculptor Sir Antony         Blazwick OBE of Whitechapel Gallery and Elina Kountouri,
                   Gormley was invited to bring his art to the historic island of   Director of NEON.
                   Delos, he was quick to grasp how monumental such a move   Fully integrated with their classical surroundings, 29 sculptures
 CatChing          would be. He felt “an amazing privilege and extraordinary   created in the last twenty years have been placed amongst
                   responsibility”, to use his own words. He explains that he
                                                                      the evocative ruins of this ancient sanctuary, including five
                                                                      commissioned new works purpose-built and placed to converse
                   decided to use his artwork as “conductors, lightning rods for
 Sight of DeloS    the thoughts and feelings of visitors”.            with the landscape. One of them, a lone figure from Gormley’s
                                                                      Another Time, can be seen watchfully staring to the horizon
                   Today, the fruits of his labour have already been placed at
                   carefully selected open-air locations of the archaeological site
                   as well as the Delos Museum, repopulating a once prominent   at the water’s edge, eyes meeting with the visitors arriving by
                                                                      boat. Is the figure a long-dead resident, welcoming ancient
 an unprecedented project sees the first new art on   religious, political and trade centre that today enjoys UNEScO   pilgrims, or perhaps a modern-day archaeologist eager to
                   World Heritage Site status. In direct conversation with
                                                                      share new findings? Gormley explains that he wants “to
 the sacred island of Delos for 5,000 years arrive courtesy  ancient temples, statues and houses as well as the geology and   create unique encounters that speak to the different character
  of antony gormley’s award-winning creative sensitivity.  geography of the island, Gormley’s iron “bodyforms” do not   of each location”.
                                                                      Accordingly, SIGHT was specially conceived to resonate with the
                   only take on the human shape that’s so familiar to followers
                   of his work but often transform into cubic and more abstract   topography, buildings and statues of the island, which was once
                   forms, mirroring their ancient neighbours.         a site of pilgrimage for people from across the Mediterranean.
                   The site-specific exhibition is titled SIGHT and spans from   One sculpture, for instance, responds to the great open space
                   May to October 2019. It is organised and commissioned by   of the Agora, while another mirrors rock formations of Mount
                   NEON – a non-profit organisation that works to broaden the   Kynthos. Despite being less than 5km long and 1.5km wide,
                   appreciation, understanding and creation of contemporary art   Delos bears a historical weight disproportionate to its size –
 Amongst History   and culture in Greece – in collaboration with the Ephorate of   a rich past filled with myths, rituals, religions, politics, trade,
 Antony Gormley,  Another Time V, 2007. One of Gormley’s life-sized bodyforms confidently stands
 in front of the evocative ruins of Delos – a ghost, a tourist or something else altogether?  Antiquities of cyclades. SIGHT has been curated by Iwona   multiculturalism and art.
























































 034   MYCONIAN COLLECTION                                                                              MYCONIAN COLLECTION   035
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