Page 129 - ATHENS RIVIERA 2024
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ATHENS RIVIERA JOURNAL
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 What has been the public’s response to the initiative so far?  Athens. Heading south, how do you see art’s footprint developing in the wider area of
 It was only last year that the initiative was launched. Today, the first   the Athenian Riviera?
 phase’s nine programs are being implemented or have already been   The southbound cultural walk is interesting. As you go down Syngrou Avenue, you can visit EMST
 completed on eight islands of the Cyclades: Amorgos, Andros, Donousa,   (National Museum of Contemporary Art),  ONASSIS STEGI, Stavros Niarchos Foundation   A Fresh Chapter Unfolds
 Kea, Ios, Mykonos, Paros, and Sikinos. So, the first results are just   Cultural Center, and soon the Ellinikon (Urban Regeneration Project).
 starting to become apparent.   What are you preparing at the Museum of Cycladic Art for the second half of 2024?
 What particularly moves me is that the programs motivate local   In September, we’re preparing our 2nd Cycladic Kids Festival, a free entrance festival  that we hold
 communities to showcase their islands’ special character. The program   outside the museum. Last year, 14,000 parents attended with their children.  We’re organizing
 in Paros, for example, protects and highlights the famous Ancient   the 12th International Kids’ Art Contest and our new archaeological exhibition for December
 Marble Quarries and aims to restore the safety of visitor access in the   2024, which will be as groundbreaking as our contemporary art exhibition that will take place
 future. The program in Andros focuses on the island’s water wealth and   in the summer of 2025. 
 ancestral management practices now that the climate has made water a
 more precious resource than ever. Local foundations and communities
 embraced the Initiative and told us how important it was to them.  "A MUSEUM IS NO LONGER JUST
 We are now in the program’s second year, and the second phase is
 already underway: Six programs are being financed on four islands of   A PLACE TO COLLECT AND DISPLAY
 the Cyclades (two programs in Amorgos, Sifnos, Sikinos, and Syros)
 and a common one on many islands. Being able to motivate more   ‘OLD THINGS’. IT’S A LIVING
 communities on more islands will be the greatest reward.
 Why are the Cyclades so important? How do they still exert their   ORGANIZATION, OPEN TO ALL."
 charm at every turn?
 For many reasons. Because the Cyclades hosted cultures and monuments
 of all eras, acting as a key anchorage for each period. In this austere
 and occasionally barren landscape, the prehistoric Cycladic culture
 Kassandra
 evolved, one of the greatest in the 3rd millennium BC. Because the   Marinopoulou’s
 Cyclades are a living lab for biodiversity. They host an impressive   initiatives have
 range of habitats, including Natura 2000 protected areas. Because their   highlighted
 customs, traditional music, festivals, and Greek cuisine are invaluable   the enduring
 parts of their history and culture, shaping their unique identity over   relevance of
 time. This is why preserving, highlighting, and passing on this identity   Cycladic heritage
 in the modern
 to the next generations is of utmost importance.  world, creating
 What is the role of a museum of today, such as the Cycladic Art   a dynamic space
 Museum? Is it ready to embrace the current values of sustainability   for education,
 and inclusivity among others?  research, and
 A museum is no longer just a place to collect and display "old things". It’s   artistic expression.
 a living organization, open to all, without any social, political, religious,
 or other discrimination. It’s a place for gatherings and discussions
 between different social groups that must take the lead in a range of
 contemporary issues. A museum today is no longer judged only by its
 exhibitions and collections but also by how it perceives and responds
 to matters of its time.
 For 10 years now, accessibility, inclusivity, and sustainability have
 been self-evident concepts for us. The museum has created a separate
 department that aims to organize programs for vulnerable social groups,
 specially designed for them inside and outside the museum to ensure
 that everyone has equal cultural opportunities.
 To date, thousands of people have benefited from the museum's
 social projects. In addition to programs for people over 65, people
 with disabilities, and migrant children, we created "IN CONTACT",
 an initiative that enables people with sensory disabilities (visual and
 auditory) to access our exhibitions. Personally, I single out the program
 we created last year for issues related to the mental health and well-
 being of teenagers, as well as the program for schools in financially
 disadvantaged areas of Attica.  ATHENIΑΝ RIVIERA    CRETE    CYCLADES    IONIAN    HALKIDIKI    PORTUGAL    ACROPOLIS
 The Museum of Cycladic Art is part of a cultural route, a walk
 that includes other museums and artistic spaces in the heart of





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